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FOUND PIANOS ...
improvisations recorded on different pianos around southeastern
Connecticut. Click on the cover to buy, listen, or read about it.
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BLUE SHADES is an album of
blues, boogie-woogie, and related improvisations. Click on the album cover to purchase
this CD or to hear sample selections. |
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My second album,
imaginatively
titled
SOLO PIANO II,
features more of a jazz and blues influence, in addition
to
having a higher energy level than the first CD. With
this album, I continue to explore the many aspects
of improvisation. My goal in this exploration has been to
achieve a structured type of improvisation in which all
the elements are created spontaneously, but within
recognizable forms. This is distinct from both traditional
jazz improvisation, where players usually begin with a set
tune which is then varied through the soloist's
improvisations, and free improvisation, which tends to
focus on the pure and/or abstract qualities of the sound
itself, rather than a structured form. |
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SOLO PIANO was the
result of my desire to perform in the studio as I perform
in public: namely, alternating compositions with
improvisations. While not exactly a "live" session
recorded without stopping, the improvisations were
unrehearsed and unedited, and most of the composed pieces
were done in one or two takes. In the eleven years since I recorded this album, I have become a better improviser and a better pianist, but there is very little I would change
about this album. Sometimes people ask if this a classical
album. There is much counterpoint and there are classical
and romantic textures and forms, but since I am not
attempting to explore any new ground as far as
compositional technique or concepts, it cannot be
considered "classical" by modern standards. It is more
often called New Age. I can live with this, given that the
genre has become a kind of grab bag for music that no
one knows quite what to do with. More and more
musicians are mixing styles and breaking down the barriers
of rigidly defined categories. My music draws on the
diverse influences of classical, jazz, blues, and what is
now called American roots music and world music. |
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This
album contains examples of music I might play at special events such
as wedding receptions, corporate functions, parties, and dinners.
Click HERE to
listen to the examples or to purchase this CD. |
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streaming audio files |
These are mp3s
of various pieces which have not found their way onto CDs yet. |
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1. Two
Pantoums: Canons for Soprano & Piano Quartet. Pantoums by Margaret
Hardy. The pantoum is a Malaysian poetic form. These
pieces were performed at the Tarrytown Music Hall on January 19, 2008
by soprano Erika Sunnegardh and the New York Piano Quartet.
Sunset 11:43
Sunrise 9:12 |
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2.
Three Dances for Flute. Mandolin, and Guitar. These are
pieces I wrote for my friend, mandolinist Joyce Balint of New York.
The other players are Stefan Hoskuldsson, flute, and GiacomoLaVita,
guitar. Recorded live in concert, Tarrytown, NY 4-2-06. |
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3.
Quartet 4 Joyce. Same personnel as above but with the
addition of harpist Susan Jolles. |
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4.
Selections from THE FOUR ARTISTS, music by Glenn Hardy,
poems by Margaret |
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Hardy |
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The Dancer
Phred Mileski, soprano Glenn Hardy, piano |
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The Photographer
Norman Bell, bass Glenn Hardy, piano |
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The Poet Ben
Davidson, tenor Glenn Hardy, piano |
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The Composer
Margaret Tyler, alto Glenn Hardy, piano |
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5.
Music for Blue Squares Music for
electronic ensemble written for an exhibition of the |
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paintings of Frederic Walperswyler. Old Lyme Art Association, Old Lyme,
CT April 1994. |
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...about 16+ minutes |
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6.
First Lessons for soprano, piano, and double-bass.
Poem by Margaret Hardy, |
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music by Glenn Hardy.
Ruth Crocker, soprano James Hunter,
double-bass |
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Glenn Hardy, piano |
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7.
Choreographer of Birds for soprano and piano. Poem by
Margaret Hardy, music by |
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Glenn Hardy. Ruth Crocker,
soprano Glenn Hardy, piano |
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8.
The Most Intelligent,
The Most Beautiful... for mezzo-soprano and piano.
Poem by |
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Margaret Hardy, music by Glenn Hardy. Margaret
Tyler, mezzo-soprano, Simon |
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Holt, piano. |
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9.
Hear, O Israel for mezzo-soprano and organ. Text from King
James Bible |
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Margaret Tyler, mezzo-soprano, Simon Holt, Organ |
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10.
El Carnaval for (large) concert band. This is a 3
movement piece I wrote for a |
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gigantic Spanish band. It has never been performed, so I offer it here
as a MIDI |
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recording. Please bear with me regarding the less-than-adequate
sounds, especially |
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the muted (and unmuted) trumpets. I will redo this later with
either better "virtual" band |
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sounds, or, dare I imagine, a LIVE recording by some band somewhere
foolish enough |
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to play it. (complete
score and parts available, and beautiful things they are!) |
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1. El
Desfile (Parade) 6:24 |
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2.
Interludio 4:26 |
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3. El
Baile de Disfraces (Masquerade Ball) 7:29 |
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Also,
see Sheet Music Page for sample scores
of some of these selections. |
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BUT WAIT! There's MORE!
Be the first in your neighborhood to hear two cuts from the now (mercifully)
out-of-print Glenn Hardy CD "All Over the Dial." This was his first (and so
far, only) attempt at audio collage. Poorly received,
even among the cognoscenti to whom it was given, this stuff has
languished in a box until now. Take this opportunity to hear these
original creations before they find their way back into the box.
The first bonus
selection is "delhi.com/Bombay Grill/excerpt from The Big Jam"
10:34
This is a collage consisting of a
snippet from Mira Nair's film, "Monsoon Wedding," some restaurant
conversation with Glenn and his wife, Maggie, and a portion of a live
concert recording of Glenn Hardy on harpsichord, Russ Appleyard on sitar,
Todd Barton on piano and analog synthesizers, and the audio "engineer" on feedback.
This is from an improvised concert organized by composer Todd Barton in
Ashland, Oregon, April 12, 1999 titled "My Favorite Things."
The second bonus selection is
"MacDougal Street Part 2, The
Big Motor" 15:11
This is a collage consisting of Glenn
Hardy on pipe organ, harpsichord, and several pianos mixed with various
vocal and choral excerpts. Keyboard parts improvised at different
times and places. Coffeehouse sounds and conversation somewhere on MacDougal Street, NYC, September
4, 2001.
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site
updated November 15, 2008 |
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